Hidden Impact print cover

Great news! One of the most frequent requests I receive from readers is for the Safeguard Novels to release in print. I am very happy to announce that Harlequin’s Direct to Customer (DTC) program, Reader Service, has selected HIDDEN IMPACT and DEADLY TESTIMONY for their upcoming Suspense shipments, in January 2018 and February 2018, respectively! Reader Service sends a monthly shipment of 3-4 books to readers who have signed up or subscribed for the service.

What does this mean?

What if I’m not subscribed to Reader Service, can i still get the print books?

Yes! Print editions will be available on some third-party dot-com retailers, including Amazon.com and BarnesandNoble.com.  Readers will be able to order and receive those print copies they’ve been requesting. I’ll be updating the pages for both HIDDEN IMPACT and DEADLY TESTIMONY as soon as the pre-order links are available.

(Print release will not be in brick & mortar bookstores at this time. Readers will need to order online to have the print book shipped to them. Seems odd? the publishing industry is complicated and there are so many nuances to releases!)

But what about CONTRACTED DEFENSE?

Won’t that be available in print too? We need the complete series!

It is ultimately up to the folks at Harlequin. I would be absolutely delighted to see CONTRACTED DEFENSE also chosen. Choices have not yet been finalized beyond February 2018 but the best support readers can provide is pre-ordering HIDDEN IMPACT and DEADLY TESTIMONY in print to let Harlequin know the series is in demand. You can also pre-order CONTRACTED DEFENSE in digital format. It releases this September in ebook!

Hidden ImpactDeadly TestimonyContracted Defense

Alyssa Cole is an agent-sibling of mine. Her story, Let Us Dream, is nominated for the 2017 RITA award for Best Romance Novella.

She is a science editor, pop culture nerd, and romance junkie who lives in the Caribbean and occasionally returns to her fast-paced NYC life.

In addition to writing, she founded and hosted the Jefferson Market Library Romance Book Club and taught Romance Writing for Beginners. She speaks on topics such as writing erotic romance, writing multicultural romance, and self-editing.  She has contributed romance-related articles to publications including RT Book Reviews, Heroes and Heartbreakers, Romance at Random, and The Toast. She has also started a bi-monthly column in the Romance Writer’s Report, Romancing the Globe, in which she chats with romance writers from around the world.

When she’s not busy writing, traveling, and learning French, she can be found watching anime with her husband or tending to her herd of animals.

https://alyssacole.com

I’m happy to have Alyssa join me on EMEPiper!

Highlights

  • Introduction to Alyssa Cole and her work
  • Writing in series versus stand alone stories
  • Alyssa’s technique to manage her time writing: winging it in the past and recently using Pacemaker
  • On deadlines: self-imposed and contracted
  • Planning to pad time between deadlines and remembering we’re human
  • Difference in pace of writing genre fiction and literary fiction
  • On voracious readers: romance
  • How to prioritize when deadlines collide?
  • Alyssa’s Time Management Tip

Shout-outs

You can support EMEPiper and Piper’s other writing-related creative content at patreon.com/piperjdrake.

Check out this episode!

Procrastination is a serious challenge for me. I find myself procrastinating all the time and I’ve rationalized to myself to make it okay. But it’s not.

Writing doesn’t happen while I procrastinate. No matter how much I think I’m getting done, I’m not doing the thing that matters: writing. 

So here’s a short podcast on recognizing and defeating procrastination. After all, the longer this podcast episode is, the less time either you or I are writing. Give it a listen, then get back to writing. 😉

Highlights

  • Where’s Piper? In her new recording CLOSET!
  • Recognizing Procrastination
  • Block Out Procrastination Enablers
  • Achievable Goals and Rewards

Shout-outs

You can support EMEPiper and Piper’s other writing-related creative content at patreon.com/piperjdrake.

Check out this episode!

Authors at Top Floor Bar RT 2016*Rant warning/*

Planning to be at a con but not paying registration to be at said con, some call it “Bar Con-ing”, seems to be happening more and more and there are those who’ve taken the concept of Bar Con too far. Here’s the thing – Bar Con itself is a positive aspect of any con. The key consideration here is that Bar Con occurs because the con is happening. It’s a part of the con.

When you didn’t pay registration, but you’re at the con all weekend in the bar or lobby? Posting publicly in advance on your professional author pages or websites to tell readers you’ll be there and let you know if they want to buy your books? Selling books out of your bag or hotel room? Not cool.

When you’re sneaking into a panel or event to see friends? And oh, you didn’t plan to do it but you did? or it was for research? You didn’t pay registration. You’re hurting the con.

This is why we can’t have nice things, people.

Yes, there are amazing networking opportunities at a con, especially at the bar. Everyone goes to the bar eventually. And hey, if you’re not attending the con but you’ve set up some time to have drinks with an agent or editor or fellow author for networking while they’re in town? Cool. Or maybe you pick them up in the lobby and head off site for dinner. Great.

But “I’m attending… sort of” or “I’ll be at the hotel all weekend” or “come find me at the bar all weekend” and flying or driving long distances to get there? You are attending the con and not paying the con for the confluence of professionals and meeting of minds you want to take part in. The con suffers. You’ve hurt the con financially and if it deteriorates as more people like you do it, you wonder why.

You are part of the problem.

Authors and Readers having drinksBut the networking! “I need the networking and I can’t get ROI on the con itself”. I see this argument a lot from people. But did those people approach it in a constructive way? Reach out to agents and editors and industry pros who’ll be there to schedule meet up times that don’t conflict with con interests? Most of the time no. They sit at the bar where the magic happens because they might accidentally or randomly talk to an agent or editor who likes the convo so much they invite the author to submit their manuscript.

Yay! It could happen!

Yes, it could.

That agent or editor is also going to see the author doing this unprofessional thing. They will likely research the author online–because that happens when considering working with an author–and see that the author even posts about planning to do this unprofessional thing. Or the author posts after the con describing how they snuck into panels or events. Not only unprofessional but indiscreet.

Classy.

The writing career is tough. I get it. I live it. There are also nuances to every situation that could argue for why what a specific person is doing is not hurting the con and is important for their life or career. Bar Con is a great thing and valuable to career building. It is.

Piper at OtakonHowever, people have jumped way the hell over the line in taking advantage of it –taking Bar Con too far– and then they wonder why their favorite cons deteriorate. They say they only do it to this one con because whatever but really it’s like cheating in a relationship. If they do it once, they’ll rationalize doing it again and again. I’ve seen this at anime, SFF, and romance conventions. It frustrates me when those cons go down under the weight of this sort of behavior.

I prefer to contribute to the cons important to me and support them, as opposed to cutting corners and cheating the con.

*/end rant*

ETA: Brief recap to be clear…

  • Bar Con can be good when not taken too far. Meet ups and getting together can be super valuable. Bar Con in general = GOOD.
  • Sneaking into convention panels or events = BAD.
  • Selling at the bar or in the lobby or out of your hotel room = Tacky as hell. And Bad.
  • Camping out all weekend stalking agents and editors coming to the bar = Questionable results.

There can be times when Bar Con is great! It’s just lately, I’ve seen people take advantage to the point of extreme WTFery. There is the source of my rant.

What do you think?

Interview with Melissa Schroeder

Interview with Melissa Schroeder

Since the publication of her first book in 2004, Melissa has had close to fifty romances published. She writes in genres from historical suspense to modern day erotic romance to futuristics and paranormals.

Along the way she has garnered an epic nomination, a multitude of reviewer’s recommended reads, over five Capa nods from TRS, three nominations for AAD Bookies and regularly tops the best seller lists on Amazon and Barnes & Noble.

http://melissaschroeder.net/

I’m happy to have Melissa join me on EMEPiper, talking about juggling multiple series and time management.

Highlights

  • Introduction to Melissa Schroeder and her work
  • Why writing multiple series at the same time works for Mel (and Piper)
  • Shout out to Joyfully Reviewed – Mel’s making ribs!
  • How writing something different can make you a better writer
  • What kinds of deadlines does Mel face with 5 series in progress?
  • Mel’s routine and how she hits her goals, even dealing with chronic pain
  • Mel’s Time Management Tip

Shout-outs

You can support EMEPiper and Piper’s other writing-related creative content at patreon.com/piperjdrake.
Check out this episode!